Our Team has a passion and commitment for world Indigenous performance. Our combined experience ensures artistic and organizational excellence.
Internationally renowned, Red Sky Performance is a leading company of contemporary Indigenous performance in Canada and worldwide. Our multi-award winning company was founded in 2000 by Artistic Director Sandra Laronde of the Teme-Augama-Anishinaabe (People of the Deep Water).
We have garnered an international reputation for collaborating on landmark projects with some of the most prestigious artists and companies from around the globe. Touring since 2003, we have delivered 2,755 performances across Canada including 198 performances in 17 countries on four continents.
We have significantly influenced the evolution of contemporary Indigenous performance in Canada and worldwide.
Executive & Artistic Director of Red Sky, Sandra Laronde, O.M.C., B.A. (Hon), Hon. LL.D is originally from the Teme-Augama-Anishinaabe (People of the Deep Water) in Temagami, northern Ontario. An accomplished innovator and leader in arts and culture, Sandra has conceived, developed, produced, and disseminated award-winning productions that are Indigenous, multinational, multi and inter-disciplinary, and intergenerational in scope. Sandra creates exceptional new work and programming that raises the artistic ceiling of contemporary Indigenous artistry, and contributes to building vibrant Indigenous communities across Canada and worldwide.
Click here for Sandra Laronde's full biography.
Jera is of Métis heritage. As an Associate Artist with Red Sky Performance, he is a choreographer and performer. His choreographic works have been presented by Jacob’s Pillow, Canadian Stage, Fall For Dance North, and the Venice Biennale (all with Red Sky Performance), Banff Centre for Arts & Creativity, Canada’s Royal Winnipeg Ballet School, Canada’s National Ballet School, Canadian Contemporary Dance Theatre, School of Contemporary Dancers, and the Tulsa Ballet Centre for Dance Education. Jera has performed extensively with Red Sky Performance throughout Canada, USA, and Europe.
Eddie Elliott is Maori from Tainui, New Zealand. A graduate of UNITEC in Contemporary Dance in 2013, Eddie was nominated for the Rolex Mentor and Protégé Arts Initiative and the 2014 “I Am Auckland Awards” which won him the Youth Active Award. He has worked with leading dance companies in New Zealand including Black Grace, Atamira, Okareka Dance Company, Douglas Wright Dance, and the New Zealand Dance Company.
Eddie is the 2017 recipient of both the Ellen Norris Scholarship and Creative New Zealand’s Toi Tipu Rea grant to mentor with Sandra Laronde at Red Sky Performance. He has performed in the world premieres of Backbone, Miigis, Adizokan, Great Lakes and Trace, and has toured extensively across Canada, United States and Europe with Red Sky.
Composer + Sound Designer
Eliot Britton integrates electronic and instrumental music though an energetic and colourful personal language. His creative output expresses an eclectic musical experience from gramophones to videogames, drum machines, orchestras and electronic chamber music. Eliot is passionate about Canadian music culture that tap newly available resources of the 21st century and seeks new and engaging aesthetic directions that connect with a post-digital audience. A proud member of the Manitoba Metis Federation, Eliotrecently completed his PhD in music research and composition at the Schulich School of Music at McGill University. At McGill, he has worked as a course lecturer, researcher and composer in residence for numerous ensembles. He is the recipient of numerous prizes, including the SSHRC Bombardier graduate scholarship, Louis Riel Scholarship, Royal Winnipeg Ballet’s Aspirant Program for Emerging Composer Collaboration, and the Hugh Le Caine and Serge Garant SOCAN awards. Currently Eliot is working as an assistant Professor of composition at the University of Toronto, co-director of Manitoba’s Cluster New Music and Integrated Arts Festival and continues to produce music for a variety of labels, companies and music houses. His recently completed projects include a commission from the Winnipeg Symphony Orchestra entitled “Heirloom Bison Culture” as well as commissions for the Plumes ensemble and Quasar quartet, and “Adizokan” a co-production of the Toronto Symphony Orchestra and Red Sky Performance. Eliot won the 2019 Dora Mavor Moore Award for Best Composition & Sound Design for “Trace” (Red Sky).
Artist Associate Emeritus
Carlos Rivera has been an Associate Artist with Red Sky for over a decade. Currently, he is a choreographer, rehearsal director, dancer, and teacher with Red Sky Performance. He has performed with Red Sky Performance in the following productions: Caribou Song, Dancing Americas, Raven, Shimmer, The Great Mountain, Tono, inSIGNia, and Mistatim. Carlos is of Mixteco Indigenous descent and trained at the Government of Mexico City's Cultural Secretary Dance School, Centre for Choreographic Research at the Fine Arts Institute (CICO-INBA), Banff Centre for Arts and Creativity, and the National Theatre School of Canada. Carlos has been in numerous dance productions as well as a director and choreographer of the Yumare Arte Escenico, a traditional and contemporary dance company. He draws from elements within traditional and popular culture in contemporary dance. His own choreographic works include Bosque Sagrado, Jardines y Santuarios, Memorias del Fandango, and From the Aztlan to the Zocalo. He also created I'm Not the Indian You Have in Mind, a dance project delving into the complex identity of Native peoples in today's society that was part of Harbourfront’s Next Steps.
GENERAL MANAGER (TRAINEE)
General Manager (Trainee)
Kathy Morrison (French/Anishnaabe and Scottish/Irish) began her career as in arts management at Banff Centre for Arts & Creativity, a renowned multi-disciplinary arts organization in the traditional territory of the Blackfoot, Stoney Nakoda and Tsuu T’ina nations. She worked as Program Manager in Writing & Publishing where she contributed to the success of the WordFest: Banff-Calgary International Writers Festival and programs such as the Banff International Literary Translation Centre, Writing Studio, and Literary Journalism. Following a personal writing sabbatical, she worked as Program Manager of Indigenous Arts at the Banff Centre for Arts & Creativity for nine years. Under the leadership of director Sandra Laronde, she contributed to the successful delivery of exceptional programming for Indigenous storytellers, musicians, singers, dancers, choreographers, writers, and filmmakers from across Canada and around the world. From 2017-2019, she worked at ILBIJERRI Theatre Company, Australia's leading First Nations theatre company, based in Melbourne and traditional home of the Kulin people. She has a Bachelor of Arts from McGill University in Montreal and a Master of Science in Writing & Cultural Politics from the University of Edinburgh in Scotland. She has lived in Canada as well as in Japan, Scotland, Mexico and Australia. She is very excited to back in Canada and working with Sandra Laronde as General Manager of Red Sky Performance, the leading company of contemporary Indigenous performance based in Toronto, home of the Haudenosaunee, Huron-Wendat, Anishinaabe and Mississaugas of New Credit First Nations.
JACKIE A. McALPINE
Jackie McAlpine has over 30 years of experience in administration and financial management for cultural and non-profit organizations. During her work with Small Theatre Administrative Facility (STAF), she managed year-round administration and production services for multiple companies and independent artists such as internationally renowned Theatre Smith Gilmour; creator of the hit stage & TV show 'da Kink in My Hair, Trey Anthony; director of Cabaret Company and founder of Buddies in Bad Times Theatre, Sky Gilbert; the Actors Repertory Company; and the Associated Designers of Canada, among others.
For the past four years Jackie worked with Marinucci & Company doing financial audits, organizational process reviews, and development of policies and procedures.
Jackie is also a seasoned musician and graphic designer. In 2006, her thesis design of orphan spaces and green roofs won a School of Design Director's Award, Design Contribution to the City. In addition, her passion for social justice work earned her a National Millennium Excellence Award in 2002.
Wisdom + Culture Keeper
Niigaanipinens izhiniikaazo, Makwan ododeman, (Don Kavanaugh) is Anishinaabe from the Lake of the Woods area and lives in the community of Animakee Wa Zhing First Nation. Don currently works as a Mineral Development Advisor for Anishinaabeg of Kabapikotawangag Resource Council, which provides advisory services to 5 First Nation communities affiliated with the Resource Council. While he was exposed to the arts in some form or another while growing up in a First Nation community, he became involved in theatre in 1996 while working as the Executive Director for the Lake of the Woods Ojibway Cultural Centre. As a 41-year participant of traditional powwow dance, Don is a firm believer in his culture and its traditional teachings. Since 1991, his work has been integral to arts and cultural development in the Kenora area. He encourages and supports artists and community members to pursue arts activities.
In the past, Don has been the Cultural Advisor/Instructor, as well as a performer at the Centre for Indigenous Theatre’s Summer South Program at Trent University, and at the Summer West Program at the University of Lethbridge. He has translated script dialogue from English to Ojibwe for various artists, and continues to do so. After a 7-year hiatus from arts, Don has returned to pursue the arts in a more supportive role. In the winter of 2016, he assisted the Lake of the Woods Ojibway Cultural Centre in an effort to revitalize the Centre’s arts programming. In 2017, Don will be involved in 2 projects, No Wilderness: This Is Home and Summer Stories: The Northwest Angle, to help promote performing arts in the Treaty 3 Territory.
Wisdom + Culture Keeper
Alex McKay is an Associate Professor in Aboriginal Studies at the University of Toronto, and has been with the program since its inception. He is Anishinaabe from Kitchenuhmaykoosib Inninuwug in northern Ontario. He is in charge of the Anishinaabemowin program and teaches courses in Anishinaabemowin, Native Language and Culture, and Indigenous Legends and Teaching.
Wisdom + Culture Keeper
Taehowęhs, aka Amos, was born into the Onkwehonweh Civilization and is a member of Mohawk Nation, gifted into the Turtle Clan of his Mother, and conferred to the Sacred Circle of Faith Keepers of the Longhouse at Six Nations of Grand River Territory.
Amos is an educator and staunch advocate for Civil and Linguistic Rights; Social Justice; Indigenous Education and the Emancipation of Indigenous Peoples. He promotes social change, social enterprise and civic engagement in terms of improving the quality of life of individuals and communities.
His early career started at the London Board of Education as First Nation's Guidance Counselor and Native Studies Teacher and continues today with First Nations Bilingual Education. He is also an advocate for ‘synchronous’ e-learning secondary school education. In the past, Amos held elected appointments and engagements at local, provincial and federal levels.
Most recently, Amos is the Vice-Provost of Indigenous Engagement at Brock University. Amos was appointed to the University of Toronto’s Centre for Indigenous Studies in 2017 to lead courses on Reconciliation and Languages in a tenure track position as Assistant Professor.
He provides leadership in refurbishing the former Mohawk Institute Indian Residential School as a project of reconciliation entitled ‘Save the Evidence' which is a tactile museum and interpretation centre that showcases this important era of Canadian history. Amos is well on his way to create Canada’s first ‘Canadian Museum of Conscience’ (CMC).
Wisdom + Culture Keeper
Pauline Shirt was born and raised in Saddle Lake Reserve, Alberta. Pauline is greatly recognized for her commitment to the Toronto Native community and for her dedication as a teacher and lecturer since the late sixties. She is a member of the Three Fires Society and the Buffalo Dance Society. Pauline is a founder of the First Nations School and the Red Willow which are just two examples of her strong work ethic and perseverance in improving the lives of the Toronto Aboriginal community. Today, Pauline serves as a mentor to many Aboriginal youth and young families as an experienced and trusted Grandmother. She also works in all levels of government conducting Opening Prayers and attending meetings, making sure the Aboriginal community is positively recognized as she offers a voice for her people.